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THE TYPE NOTEBOOK

Glamour Font: Lanston’s 1948 Design & Eccentric Variants

Explore Lanston’s Glamour, its Corvinus basis and Colin Kahn variants, with practical ways to compare Grotesque XXL and Hairline Engraved.

This guide covers the Lanston Type Company Glamour family published by P22. Compare its deliberately different display styles instead of treating glamour as one interchangeable fashion-font category.

Sources reviewed .

ORIGINAL PUBLISHER SPECIMEN

Explore Glamour at the source.

The editable specimens below are independent alternatives. Use the publisher’s preview for the original family.

View the original on P22 original Glamour specimen ↗
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Compare open-license alternatives.

Read the selection notes ↓

Enter the same words in each specimen to compare. These are editorial starting points; explore each family for its background and license.

LIVE TYPEFACE SPECIMEN

See your words in Playfair Display.

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This preview uses a real font. Copying ordinary text into another app will not carry this font with it. The PNG keeps the visual appearance.

Explore Playfair Display: history, styles and license ↗

LIVE TYPEFACE SPECIMEN

See your words in Archivo Black.

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This preview uses a real font. Copying ordinary text into another app will not carry this font with it. The PNG keeps the visual appearance.

Explore Archivo Black: history, styles and license ↗

01

A historical design expanded into unusual display styles

P22’s original family account dates Lanston Monotype’s Glamour to 1948 and identifies Imre Reiner’s Corvinus as its basis. The publisher credits Colin Kahn with adding unusual variants and specifically recommends contrasting Grotesque XXL with Hairline Engraved. Listed styles also include Light, Medium, Bold, Shadow, Woodtype and OverDose. These are the named family’s resources, not evidence that every modern font called Glamour shares its history.

02

Compare a dramatic pair before building the whole cover

Set a fictional magazine title in Grotesque XXL and a short secondary phrase in Hairline Engraved using the original specimen. Test them at the actual cover dimensions, then reverse the hierarchy for comparison. Inspect the finer line on the intended background and printed proof before relying on it for small essential text. Choose one dominant style and one contrast rather than spreading every variant across a single composition.

03

Keep the family identity attached to the specimen

Use the P22 source to evaluate the actual styles and applicable resource terms. Playfair Display and Archivo Black here are independent comparisons, not Glamour previews or reproductions of Kahn’s variants. For a copied fashion caption, our decorative Unicode text styles provide character substitutions; they cannot recreate Glamour’s engraved, shadow or woodtype outlines. Use the actual font in a design application when the relationship between those styles is the point of the project.

The Art Gothic guide gives another edition-aware historical display comparison, keeping HiH’s details separate from URW’s resource.

GOOD QUESTIONS

Your questions, answered.

Which Glamour does this guide cover?

The Lanston Type Company family presented by P22, with a historical basis in Corvinus and variants credited to Colin Kahn.

Should I combine all the styles in one design?

Start with a clear dominant style and one contrasting role. Add another only when the hierarchy calls for it.

Sources & background

Sources supporting this page’s explanations. Practical examples are our editorial suggestions.