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THE TYPE NOTEBOOK

Still Time Font: Ray Larabie’s Angular Slash Script

Explore the sources, compare the examples and choose the right approach.

Proof Still Time as a short title against a quiet background before surrounding it with retro effects. Inspect the angular word shape, line breaks and small supporting details instead of assuming an eighties association will make every layout work.

Sources reviewed .

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Enter the same words in each specimen to compare. These are editorial starting points; explore each family for its background and license.

LIVE TYPEFACE SPECIMEN

See your words in Permanent Marker.

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See your words in Patrick Hand.

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See your words in Anton.

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This preview uses a real font. Copying ordinary text into another app will not carry this font with it. The PNG keeps the visual appearance.

Explore Anton: history, styles and license ↗

01

The creator’s revised first-person history

In the fourth edition of his original account, Ray Larabie dates Still Time’s release to October 2, 2001. He describes drawing it manually in FontLab, improvising a complete alphabet inspired by the lettering on Prince’s Purple Rain cover rather than tracing it. He also explains that the resulting letters became sharper and more polygonal than intended and that the name came from a Ron Sexsmith song. The current Typodermic public-domain catalog corroborates the drawing method and source of inspiration.

02

Judge the slash-script silhouette with real words

Set the actual event or album title on a plain background in two useful line breaks. Compare the outer silhouette and the gaps where one word ends and the next begins. Include required punctuation rather than removing it for an attractive specimen. View the title at its smallest delivery size; angular letter details should not make a short word unrecognizable. Keep an unaltered text copy beside the working version while experimenting so rotations and effects cannot conceal the original spacing problem.

03

Build the cover before adding nostalgic effects

Place the title alongside the actual artist or organizer name and a small information line. Compare one composition with a simple ground and another with the intended image or gradient. Check whether the sharp forms remain distinct from bright diagonal features in the background. If contrast weakens, move the title into quieter space before adding a thick outline. Proof the complete composition as a thumbnail and at final size, keeping the supporting text readable independently of the decorative heading.

04

Distinguish inspiration, distribution and preview

Larabie’s revised account states that he dedicated Still Time to the public domain on April 1, 2024. The current original catalog offers its CC0 resources; consult that source rather than applying old download-site descriptions to the current release. Inspiration from an album cover does not make a newly typeset phrase the original album artwork. Permanent Marker, Patrick Hand and Anton are independent comparison specimens here, not Still Time previews. Use them to compare another title direction, then inspect Typodermic’s actual design.

GOOD QUESTIONS

Your questions, answered.

Did Larabie trace the Purple Rain lettering to make Still Time?

His revised original account says he improvised a full alphabet manually in FontLab rather than tracing the source. He describes the resulting forms as sharper and more polygonal.

Which source should I use for the current font resources?

Use Typodermic’s current public-domain catalog and its supplied files. Older mirrors can retain descriptions from earlier distribution arrangements.

Sources & background

Sources supporting this page’s explanations. Practical examples are our editorial suggestions.