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THE TYPE NOTEBOOK

Croissant Font: Letraset Display and NoonFont Arabic Namesake

Explore the sources, compare the examples and choose the right approach.

Resolve which Croissant family your reference names before choosing files. The Letraset-origin display design and NoonFont’s Arabic-script family have different creators, histories and writing-system contexts.

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Enter the same words in each specimen to compare. These are editorial starting points; explore each family for its background and license.

LIVE TYPEFACE SPECIMEN

See your words in Corben.

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LIVE TYPEFACE SPECIMEN

See your words in Shrikhand.

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01

Distinguish two documented Croissant designs

The ITC account credits Philip Kelly’s 1978 Letraset design, built from rounded brush-like strokes into heavy display letters and later offered digitally. Separately, NoonFont credits Ali Pezeshk’s Arabic-script Croissant, informed by Iranian cinema posters and signage of the 1970s. NoonFont documents five weights and identifies Alex Slobzheninov’s FivoSans for the Latin glyphs. These are independent named products, not different script files automatically included in the same family purchase.

02

Choose the script and layout role before a visual mood

For a Latin display reference, compare the actual short heading in the Kelly design’s original specimen and leave prices or detailed information in a separate reading role. For the NoonFont family, start with approved Persian or Arabic text and have a reader of the language inspect its shaping and line breaks in the intended application. Do not replace actual text with a decorative Latin imitation. Keep the selected foundry and edition alongside the working file so a shared family name cannot produce the wrong handoff.

03

Keep independent comparisons and original resources separate

Corben and Shrikhand offer independent heavy-display comparisons; they do not preview either Croissant product or establish equivalent Persian/Arabic support. Use the same original Latin heading if comparing those directions, and inspect the actual required script in its own source specimen. Consult the appropriate publisher for current package contents and terms instead of assuming that a desktop offer, web package and alternate script edition are interchangeable.

GOOD QUESTIONS

Your questions, answered.

Are ITC Croissant and NoonFont Croissant the same family?

No. Their original publisher accounts identify independent designs with different creators and script contexts.

Who created the Letraset-origin Croissant?

The ITC account credits Philip Kelly’s 1978 design for Letraset. NoonFont’s Arabic-script namesake is credited separately to Ali Pezeshk.

Sources & background

Sources supporting this page’s explanations. Practical examples are our editorial suggestions.