Understand why the set contains different designs
Alejandro Paul’s Speakeasy at Sudtipos began as a Buenos Aires bar project. The five-part set combines script, wedge serif, flare serif, sans serif and bold Didone roles. Sudtipos traces the script’s starting point to a German lettering book and the companions to early twentieth-century advertising. These are coordinated designs rather than five weights of one outline.
Assign menu roles before choosing flourishes
Build a fictional menu with a venue title, two section headings and three item descriptions. Assign the script to the title and test the text designs in the other roles. Modern and Flare use small caps; Sans and Gothic also contain full uppercase and lowercase sets. Decide which information should share a visual voice before introducing the included ornaments.
Compare connections on the actual venue name
The connected script offers two ways of joining letters, plus alternates, swashes and endings accessible through OpenType controls or a glyph palette. Make two copies of the same name and change one connection treatment at a time. Inspect repeated letters and the title’s outer edges. The local Allura and Bitter comparisons do not reproduce the Speakeasy set; use the original publisher specimen for its features and files.
For decorative wording in an accompanying post, explore the stylish text generator on the homepage. That tool produces Unicode text; it does not reproduce the named typeface, supply its files or carry its layout features.
Your questions, answered.
Who designed Speakeasy?
Alejandro Paul designed the Sudtipos set covered here.
Are all five fonts interchangeable weights?
No. The set coordinates different script and text designs, so assign them distinct menu roles before comparing their details.
Sources & background
Sources supporting this page’s explanations. Practical examples are our editorial suggestions.