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THE TYPE NOTEBOOK

Brussels Font: Dan X. Solo’s Redrawn Flemish Display Design

Explore the sources, compare the examples and choose the right approach.

Identify the Solotype family when discussing Brussels. Its publisher gives a particular design rationale, which is more useful than inferring a visual style from a place name.

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Enter the same words in each specimen to compare. These are editorial starting points; explore each family for its background and license.

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See your words in Cormorant Garamond.

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See your words in Rye.

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See your words in Source Serif 4.

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01

The creator explains the relationship to two earlier widths

Solotype’s original account describes Stephenson Blake’s Flemish Expanded and Flemish Condensed as its starting points. It explains that neither width suited its preference, prompting a redraw renamed Brussels. The catalog credits Dan X. Solo. This gives a specific rationale for the family; it does not make Brussels an official alphabet of the city or a generic name for Belgian typography.

02

A redraw should be labeled separately from its references

The publisher’s explanation describes a new treatment informed by two width extremes. Keep those reference designs distinct from the Brussels files in a project record. A historical relationship does not guarantee identical spacing, character coverage or style options across editions. If documenting a specimen image, identify which family is actually shown rather than treating the three names as interchangeable labels.

03

Build an original label around a balanced title width

Write a product name, descriptor and quantity first. Compare a one-line title with a two-line arrangement before shrinking or stretching the letters. Keep the quantity and essential details in a stable, readable position. A display title can set the tone, but the available width should be resolved through composition rather than arbitrary distortion. Leave room around unusually shaped letters instead of filling every corner with decoration.

04

Use independent comparisons to evaluate the whole composition

Cormorant Garamond, Rye and Source Serif 4 are independent specimens, not Brussels files or exact substitutes for its historical references. Compare the same original title, descriptor and short paragraph at a consistent size. Judge the balance of the complete label rather than a single attractive letter. For actual Solotype production, retain the full family name and source so a later file replacement does not erase the distinction between the redraw and its models.

GOOD QUESTIONS

Your questions, answered.

Who is credited for Solotype Brussels?

The original publisher catalog credits Dan X. Solo.

Is Brussels simply Flemish Expanded under another name?

The publisher describes a redraw prompted by the contrast between Flemish Expanded and Flemish Condensed, so the relationship should be recorded without assuming identical outlines.

Sources & background

Sources supporting this page’s explanations. Practical examples are our editorial suggestions.