Identify the Profonts Bradley revival
The profonts account identifies Bradley’s earlier name as Bradley Series and attributes that historical design to Will H. Bradley. It separately discusses Hermann Ihlenburg’s Germanic-language Ihlenburg Series of 1895. Ralph M. Unger is credited with completing and remastering Bradley for the digital profonts library. Preserve the account’s separate names and roles rather than collapsing every related alphabet into one release.
Make the attribution visible in a specimen card
Set A LETTERING STUDY with the original Bradley resource and add clearly labeled lines for historical design, related historical edition and digital revival. Keep the 1895 statement attached to the Ihlenburg edition, where the source places it. Do not reuse it as an unqualified date for every Bradley file. The heading’s letterforms and the provenance caption have different jobs.
Distinguish Bradley from Bradley Hand
The Bradley Hand guide covers a separately named handwriting family. Choose the actual resource by publisher and full name instead of selecting whichever Bradley result appears first in an application. Cinzel and Creepster here are independent specimens. For portable stylized characters, the homepage’s Unicode text experiments perform another task; they do not reproduce the profonts revival or make copied text historical evidence.
Your questions, answered.
Is Bradley the same as Bradley Hand?
No. This guide identifies the profonts blackletter revival; Bradley Hand has a separate identity and source.
Does the source’s 1895 date apply to every Bradley edition?
The account attaches it to Ihlenburg’s related Germanic-language edition. Keep that attribution and edition scope explicit.
Sources & background
Sources supporting this page’s explanations. Practical examples are our editorial suggestions.